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An experimental modernist collection of 512 limericks.
This book is an examination of the depth to which the associations we make are hard-wired into us, and the lengths to which we are pushed if we want to free ourselves of these associations.
It puts the question whether we can tunnel so deep inside the constructs that constitute our world, surround ourselves and familiarise ourselves with them so much that they become first banal, then meaningless, then empty, and finally receptacles for our own making of the world anew.
That is to say, it puts the question of the possibility of hope.
I have chosen the limerick format because to many early twenty first century readers in the Anglophone world it is both the most familiar form and that whose association, of jaunty rhythm and glib content, is the one we recognise the most easily. It is, therefore, our perfect Virgil to lead us through the Underworld of ever deepening assumptions of necessary connection that are increasingly hidden from us, where our consciousness of their necessity is increasingly fixed and increasingly false.
"steve roggenbuck" printed in every font on my computer's version of Microsoft Word (except for Helvetica [except on the cover])